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CLAY

By experiencing the heaviness, limitation and fragility of the mask, the entangled wire structure and the clay on my skin, I had the opportunity to understand the heaviness, limitation and fragility of my body, my entangled movements and the clay on my skin. In the beginning this moisture felt soft like a baby and through time started to get dry and wrinkly. During the performance the clay was dropping on to the floor and the costume was decaying.

Thesis: Masks and Identities - A Journey
https://paoladeramos.wixsite.com/masksidentities

Camera and assistance artist Laura Leif

Concept and video PIPOCA (Paola de Ramos)

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